Bigert & Bergström | Incubator for Earthquakes
Bread Face | Self Facing
Center for PostNatural History
Gregory Blackstock | Banners
Presented by Greg Kucera Gallery
Hironaka & Suib | Vanitas MMXVIII
Live Editions | Featuring artists Mark Gibson and Molly Crabapple
Mike McCready & Kate Neckel | Infinite Color & Sound
Patricia Piccinini | The Bond and The Loafers
Presented by Hosfelt Gallery
Stephanie Dinkins | Not The Only One (N'TOO)
Desert X 2019 artists Nancy Baker Cahill and Gary Simmons: In Conversation
Thursday, August 1, 2019 | 9:00 AM - 9:00 AM
In an exchange moderated by Shamim M. Momin (Senior Curator, Henry Art Gallery), the artists will discuss their experiences of working site-specifically for Desert X,...
The Life Cycle of an Art Collection
Friday, August 2, 2019 | 11:30 AM - 11:30 AM
Join an expert panel of professionals as they discuss what collectors should consider throughout the process of acquiring, possessing and change of ownership. The panel...
Friday, August 2, 2019 | 1:30 PM - 1:30 PM
Hear from three experts on the field of curating as they discuss models for exhibitions and institutions that they find interesting, and what this means...
The Art of Destruction
Saturday, August 3, 2019 | 1:30 PM - 1:30 PM
The recent emergence of mega-fires has ravaged the globe, causing record-breaking destruction and loss of life. Explore the intersection of art and crisis during this...
Stillness & Liveness in Choreography
Sunday, August 4, 2019 | 11:30 AM - 11:30 AM
This talk will center around Morgan Thorson’s work Still Life that uses the gallery space as a container for an endurance-based dance work that at...
The Kids Panel
Sunday, August 4, 2019 | 1:30 PM - 1:30 PM
This experimental panel allows the audience to receive a report back from the Seattle Art Fair from the mouths of the next generation of art...
Achieving True Market Disruption in the Digital Realm
Sunday, August 4, 2019 | 3:30 PM - 3:30 PM
New art market platforms relying on blockchain technology have been touted as the answer to democratizing the art world, but are they? Without the participation...